TRON LEGACY (USA, 2010) by Joseph Kosinski
will be getting older, you will see that perhaps too many movies and are always more 'canny' in front of the big screen, but I'm beginning to think it is really Labranca Thomas (see his book ' Collateral 'latest issue of FilmTV): 3D is just back in theaters and is already being boring. Why is not the 3D that makes a good movie: to limit makes it more spectacular, more visually appealing, but if history is not boring is that 'Third dimension' makes it less boring, but ... In some ways even more bored, bewildered by a barrage of special effects that add still further the vision. 3D should be like the referee in football, a referee is much better at the very least it should be noted during the game. If the referee becomes the protagonist, then it means that something is wrong ... in the cinema is the same thing: if we realize that we are watching a movie and this concerns us only because we bring the infamous 'glasses', we are certainly not paid off by what passes before my eyes.
All this to say that Tron Legacy is a huge disappointment. Despite the dazzling 3D staging highly hi-tec and skintight overalls Olivia Wilde: If the first Tron, one of 82, was at least creative and innovative in some ways, despite its apparent simplicity, this pointless remake is really the triumph of boredom It is a film of great visual impact (eccimancherebbealtro!!), but completely unsupported by a proper screenplay: the situations are so obvious and repetitive that really seems to be inside a video game, not to mention the dialogues, at times, are even horrifying ( "As the sun" - "It 's beautiful and warm" . sic!)
Tron Legacy is develops through the accumulation, throwing it on fire all the 'meat' which we are immediately overwhelmed by special effects, but you get tired very soon, because the story does not hold, the characters are essentially 'invisible' to their smallness and the damage ' impression of not knowing what to do, a bit 'as Inter's Rafa Benitez: It is unnecessary to have large budgets and big names (something like 160 million dollars spent!) if you do not have thoughts. Kosinski's film winks now Matrix, now Nirvana, even 2001: A Space Odyssey , without having any idea about where is going.
But meanwhile the kids are having fun in the room with his glasses, draw popcorn, joking with their mobile phones ... I guess I'm really invecchaindo!
RATING: * *
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