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Little thoughts of Italy .. .... ....

to celebrate the famous 150'anni
children and I have prepared
the "little thoughts of Italy!
idea already stolen from the famous little thoughts of buit ***
only this time are now tricolor ...
colored with beets for the green,
white flour and water
and tomato for red,
filling is made with ricotta,

version here in flag waving ....

some seasoned only with fresh cream and parmesan cheese, simple but good
version,

the other for tomorrow with a good sauce,
WISHES TO ITALY!!
and that the force be with us!
although at this moment I just want to
me .... I have to clean up all the flour
slaughterhouse that has spread to every corner ....

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150th anniversary of the Unification of Italy

The Democratic Party calls on all Samarate to exhibit Thursday, March 17, the day of the celebration of the 150th anniversary of the Unification of Italy, the tricolor flag.
also invite you to attend a concert held Thursday, March 17th at 20:30 at the Church of the Holy Trinity.

Ilaria Ceriani, PD Secretary Samarate

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STORIES OF THE

Ever wonder why boxing is the sport most represented in the cinema, especially the Hollywood? Simple, because boxing embodies all the characteristics of the 'American Dream': sweat, dedication, perseverance, revenge. The dream of 'self-made man' which, starting from the lowest point of the social scale, is able to 'get', to 'make it' against everything and everyone. Not only that boxing is the sport 'noble' par excellence, who takes away the poor from the road and directs them to real life, perhaps providing each of them the famous 'fifteen minutes of fame'.
a boxing movie, in fact, it have been done many, many decent, other than not really memorable, some masterpieces. These here:

1. Raging Bull (M. Scorsese, 1980)

De Niro looks in the mirror and 'enter' ideally in the ring. Because only there can find dignity, to be real person. As was the old Jake La Motta. Shot in an exciting black and white, with mounting dramatic Thelma Schoonmaker. It was the turning point for Scorsese film, and perhaps the best boxing films ever made so far.

2. ROCKY (JJ Avildsen, 1976)
right, compared with the previous one seems almost blasphemous. But who is not keen on seeing the first Rocky? Who does not tremble on the famous soundtrack by Bill Conti, stallions, which climbs the steps of City Hall in Philadelphia, use liberating 'Adrianaaaaaaaaaa !!!!'. American Dream to the nth degree, but genuine.

3. WHEN WE WERE KINGS (L. Gast, 1996)

A quarter of a century to achieve it, nearly two hundred hours of footage, the camera following tireless the greatest boxers of all time. An extraordinary documentary, engaging as a direct, passionate today as then. Clay running, snorting, fight, Foreman is angry with scorn: 'I do not like, talks too much!' . Fantastic.

4. ALI (M. Mann, 2001)
him again after the documentary fiction by Michael Mann. And as in all Mann films the plot is an excuse to turn a large fresco on the social time and history. Magistral.

5. FAT CITY - CITY 'LOVE (J. Houston, 1972)
Film amiably 'classic' signed by a master of the genre, the great John Houston. Old-style cinema, mannered but timeless. Jeff Bridges on the first role in a drama that would have liked to have another 'grand old man', Clint Eastwood, who will compete for many years after.

6. Up there 'SOMEBODY LOVES ME (R. Wise, 1956)
Rocky Graziano, aka Paul Newman. The first major success of a boxing film, acting through the dry, angry, 'exaggerated' the star. Wise supports him, the camera the 'chase' without delay: the film is 'he', and the director notes.

7. Million Dollar Baby (C. Eastwood)

If Rocky was the apotheosis of the American Dream, the tragic parable of Maggie Fitzgerald is the end of an era: Maggie is white, 'old' for the sport, poor and angry. But this time there is no chance, no 'moment of glory'. Only emotion, respect, dignity and a lot of the magic of a film that only the 'grand old man' could turn 'so'.

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BOXING FIGHTER (USA, 2010) by David O. Twenty years ago Russell

Boxing has always been the sports 'sacked' by the great screen, especially from film stars and stripes, and the reason is obvious: the boxing embodies the main features of the American Dream (sacrifice, perseverance, dedication, success), they want the '' everyman ', taken from the street, often poor and humble, able to get on the roof of the world. The story of 'one in a thousand stand it', well, even better if served by a good dose of patriotism and, perhaps, redemption and subsequent lifts. As a film about boxing if they have made a lot (see post above), some absolute masterpieces, more discreet, not many memorable.

Which do then The Fighter, the last effort of David O. Russell, director of New York which has become critical to the honor of a decade ago with the brilliant Three Kings , vigorous action-movie about the Gulf War, and then rapidly decayed with disatroso fiasco I love Huckebees ?
Well, let's say right away that the film is a masterpiece. The Fighter is not Raging Bull (and that we expected), but it would be unfair to dismiss the film as 'story of yet another box made in USA' . Russell puts it all because we do not assume a movie (only partially successful), but should be appreciated the attempt to go 'beyond' the simple sports story to tell a story, family sometimes hard and angular, adopting the ring as a social parable. And this we must recognize this.

The film's characters are in fact two brothers, and them that dwell on the camera. Two brothers of Irish descent, both coming from the slums (and so far we're really 'on the classic' ) but totally different character: one (Dick, great Christian Bale) is weak and in poor memory lives on a moment of glory (honorably lost a match against the invincible Sugar Ray Reynold ) and spends the time to fill up with crack. In the rare moments of lucidity is delighted to coach his brother, Micky (Mark Wahlberg ) instead of determination that has to sell but also end up in trouble just to save Dick, who has tenaciously bound. Complicating the situation is added to the mother of two (Melissa Leo ), female-invasive, invasive and possessive, able to affect not just the emotional ties and family of two.

The first part of the film is beautiful, dark and touching. Almost documentary realism and emotional force. It feels like watching a Ken Loach film , with the camera capable of stripping without the need for dialogue, a reality of poverty, ignorance, squalor, poor physical and moral, but continued with great dignity. And much of the credit it must be the key players, in their truly commendable performance (Bale and Leo won the Oscar - deserved - but it would be unfair to 'forget' Wahlberg, never too seen a face in Hollywood , no doubt, however, one of the most versatile and reliable interpreters of the new generation).

But when the story 'viral' on the purely sporting side, this is the film s'incarta ... in the sense that it does not say anything new on the ground and began driving at well-known and predictable, typical American hero who fell from grace with great self-denial and self-confidence can get back on top and rising to undying glory. He knows so much about Rocky but not in any way to see, the rhetoric about maintaining an acceptable level. A film short, which do not leave a mark but that will give us a little moment of glory. Just like his hero.
better than nothing.

RATING: * * *

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ALL'AMMISTRAZIONE CONGRATULATIONS TO THE BUDGET CHOICES

We finally reached the first real important piece of the new majority: the 2011 budget.
Covering the "promises" of the campaign and looking back at the attacks against our directors in the past five years thought we would be faced with tariff reductions and new works, but the reality, unfortunately, is another.
The school transport will increase by 100% in school year 2011/2012, the nursery will increase from 30 to 40%, the canteen food stamps will increase by 10% with the new school year.
Regarding the waste is provided between estimates of expenditure reduction and revenue increase of over € 150,000 but the price remains unchanged.
Fixed costs for lighting, heating of schools, electricity have been reduced in all chapters. But these expenditures increased only for families or maybe they wanted to "underestimate" in order to balance a budget that after a year of Administration PDL-League is already on the ropes? We remind all the renegotiation of certain loans that will bring about 70,000 € in 2011 but savings in the long run the city (and us all) will pay about 1.6 million Euros.
The only items of expenditure appear to be increased allowances and reimbursements of the current administration ....
public works, beyond the usual empty phrases for effect, it's still nothing on the horizon if we exclude asphalt made with the money left from the center of the advanced, and meanwhile there are more places in the cemetery of Samarate center not to mention the broken promises of work on closing the streets in Verghera and roundabouts Via Locarno.
also expect the operating result of ASC in mind that for 2010 was revised service contract with more transfers and reductions in fees by the municipality for about € 120,000.
Montevecchio Foundation, administered by the center so far has closed 2010 with a profit of about € 20,000. We will see what will the next Board of Directors.
There is a doubt whether a majority of PDL-League did not have so carelessly thrown away the PGT might not be so hard to profile a year also saw cuts Tremonti, made in defiance of federalism.

Ilaria Ceriani, PD secretary Samarate

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\\ THE SILENCE OF THE LAMBS (USA, 1991) Jonathan Demme

I went to see the movie just came out, just twenty years ago ... but I confess that I do not remember much of that 'first time', also because I saw only half. Why the other half kept my eyes closed and ears plugged. Yes, I was nineteen years old and below me I fear. The only reason I was in that room was the presence of Jodie Foster, even then my favorite actress. Only after (many) other visions that I realized that movie made me so scared he could be considered, without exaggeration, a film 'momentous'. An absolute masterpiece. Moreover, a true visual experience, and (mostly) psychological, the sort that 'mark' a person and, unequivocally, the open eyes. Even in an age when sbruffoncello ...

Twenty years have passed but the emotional charge of this incredible, unbelievable film is almost intact. It 's true that we are now accustomed to everything, that we live in a society so sick exactly As this film we had predicted that certain events that fill pages of newspapers and television tell us that there are many Hannibal Lecter in this world. But this film is unique, because of the evil force that releases and the subjective 'forces' the viewer to put themselves on the same level of the murderer, to observe without being seen panting in the darkness of their prey.
The Silence of the Lambs is a treatise on insanity, a dissertation on horror and human stupidity, shot as a psychological thriller that, through an obsessive and excessive use of close-ups and depth of field, beyond the limits of endurance and it stuns with sequences of unbearable tension, accompanied by masterfully musicaledi Howard Shore score.

Paradoxically, but not too much, think about it we can say that The Silence of the Lambs follows the spirit and the basic idea of \u200b\u200bthis blog, as if he were complementary as Solaris wants to convince us that you do not need to flee elsewhere to get rid of their phobias, Demme's film tells us that the horror is mostly within ourselves, in the privacy of our thoughts, and that all of us, first, we are guilty of the wickedness of the world around us. A vision grim, apocalyptic, but seeing the film we have to say extremely convincing.

To all this must be added, of course, the extraordinary performance of the leading actors. Jodie Foster is wonderful, moving portrait of the young recruits who agree to be 'raped' in your subconscious to save innocent lives. His Clarice Starling is one of the most beautiful female roles ever, and certainly Michelle Pfeiffer (the 'first choice' for Demme, who then declined the part) you will still be eating your hands for that refusal. of Anthony Hopkins there is little to say, this role is been for him at the same time a triumph and a conviction: the character of Hannibal the Cannibal 's has stuck to him forever, and the half-hour in which it appears in the film is more than enough to show us as one of the most famous , horrible and fascinating at the same time in the history of cinema.

RATING: * * * * *

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the gem (Italy, 2011) Andrea Molaioli

"Aside from the fourteen billion debt, this company is a gem." The sentence has been attribute to Calisto Tanzi, and is emblematic of a certain level of typical local entrepreneurial class, that of the 'billionaires provincial 'which, with great ignorance and despicable cialtronaggine pretend to be fathers and masters of Italian finance in the immediate post-tangentopoli. It was the second half of the '90s, the storm that had crumbled the first republic had not yet subsided, but there were those who, in spite of all, it allows you to 'invent' from scratch easy money, trusting in his own omnipotence, heedless of the consequences (both about themselves and those, far more dramatic, to unsuspecting investors who had given them confidence). In other words: change everything so that nothing changes, according to the well-known theory gattopardiana.

Little Men, mean people, rude in appearance and awkwardness: they deal in hand, barely speak English, plunge in the stock market without knowledge of the facts, without ideas, without dignity, without shame. Spending and spreading, falsify financial statements, they steal from their pockets (the climax!), Using their own business as an ATM. They are called Tanzi, Cragnotti, Fiorani, Coppola, Ricucci ... inept and barbarous people, sad example of a country (always spelled with a 'p' lower case) that too often is identified in their own image and likeness. And too often covered the misdeeds of these individuals, even encouraging their career disturbing. This is shown various decriminalization of false accounting, the failure of viglilanza bodies, politicians behind 'lavish rewards' (Let's call it that) to turn a blind eye (and maybe both) in the face of blatant criminality.

's latest film Molaioli says this, and should be acknowledged that they had courage. The film is not perfect, far from it, but the central purpose: to sketch out the meanness and squalor of a society based on easy money and corruption, where it goes on for 'knowledge', 'friends' support politicians, and where those who are striving to be honest (or less 'villain' of others, if you prefer) is inevitably a bad end. The story follows that of expressly Parmalat , but not necessarily to make a comparison with the 'protagonists' age. And 'just' an Italian story 'like many others, as an example.
The film is quite instructive, has a structure a bit 'too' television ', it gives a superficial and even naive enough situations far more complex and dramatic, mix the drama and by referring to places far more common that (the woman in career who goes to bed with his head), but it must be said that overall, involves and passionate, though not a movie 'complaint' but a good film of inquiry, definitely 'out of context' and courageous in the current panorama of Film home.

Good performers, all well chosen: Servillo is 'imperial' as always in his role, but runs the risk of 'inflating' its image always playing the part of the 'cynical bastard' sooner or then we would like to see him in a comedy ... Remo Girone, modest and restrained, perfectly embodies the role of the entrepreneur and naive 'old style', overwhelmed by events. Sarah Felberbaum , beautiful and 'bitch' in the right place, his first major role is more than credible.

RATING: * * *

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