"Roberto Ferri - Beyond the Senses - Beyond the Senses"
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"Roberto Ferri - Beyond the Senses - Beyond the Senses"
"Roberto Ferri - Beyond the Senses - Beyond the Senses"
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Roberto Ferri - Beyond the Senses - Beyond the senses
Women and Men Roberto Ferri, tarantino only 30 years, however, already held abroad, with their slender bodies, perfect muscles, and intriguing poses, are a debt by the greatest Italian masters, Caravaggio, Michelangelo, Guercino, who has studied very well. But not only that. Translate dreams into images, or (perhaps) the nightmares of each of us, we have inside, we feel, beyond the senses, more or less conscious, verbalized, or verbalized. Roberto Ferri gives life, substance and form (a beautiful form) to his and our ghosts. Often accompanied by their own men and women with devices, inspired mostly by time and ancient form of a totally modern, becoming elements of our age and of his fantasies are sextants, watches rings and gears, chains, astrolabes that make it even more fascinating, but at the same time more mysterious, his compositions.
Angels and demons, spiritual aspirations and constraints of the flesh, purity and impurity are some of the recurring themes in the work of Roberto Ferri: like leitmotivs that create a game, most often quite subtle and very cerebral, nothing banal or predictable, based on a technique of painting to the highest level. "It's definitely the most technically capable student I ever met," he says Gaetano Castelli, former President of the Academy of Fine Arts in Rome and one of the most famous Italian designers. One may truly say it is a "painter by vocation": he never forgets a precept of Goethe, that 'art, good enough is good. " His is a hymn to the true absolute painting: a review, very thoughtful and introspective, some of the greatest masters of classicism.
The women and men of Robert Ferro, a thirty-year-old artist from Taranto who Already has made a name for Himself even on the international art scene, With Their slender bodies, perfect muscles and intriguing poses are inspired by the greatest Italian masters, from Caravaggio to Michelangelo and Guercino, all of whom Ferri studied closely. But there is more: his paintings translate into images the dreams or (perhaps) the nightmares of each of us; all we have inside, all we feel, beyond the senses, in a way that is more or less conscious, verbalised or can be verbalised. Roberto Ferri gives life, substance and form (a rather beautiful form) to his and our phantasms. Oftentimes, he accompanies his own men and women with devices, inspired mainly by time and ancient in form though totally modern, becoming elements of our age and of his fantasies. They consist in sextants, crowns and clock gears, chains, astrolabes that render even more fascinating, but at the same time more mysterious, his compositions.
Angels and demons, spiritual aspirations and the bonds of the flesh, purity and lasciviousness are some of the recurrent themes in Roberto Ferri’s oeuvre: like leitmotivs that create a game, most of the time quite subtle and very cerebral, in no way banal or predictable, based upon a technique of painting taken to the highest level. “[Ferri] is unquestionably the student with the greatest technical skill that I’ve ever met,” says Gaetano Castelli, former President of the Academy of Fine Arts of Rome and one of the most celebrated Italian stage designers. One may say that Ferris truly is a ‘painter with a calling’: he has never forgotten a precept of Goethe, according to whom “in art, good enough is excellent”. His is an absolute hymn to painting: a reconsideration, and meditated quite introspective, of Some of the greats of classicism. 
Women and Men Roberto Ferri, tarantino only 30 years, however, already held abroad, with their slender bodies, perfect muscles, and intriguing poses, are a debt by the greatest Italian masters, Caravaggio, Michelangelo, Guercino, who has studied very well. But not only that. Translate dreams into images, or (perhaps) the nightmares of each of us, we have inside, we feel, beyond the senses, more or less conscious, verbalized, or verbalized. Roberto Ferri gives life, substance and form (a beautiful form) to his and our ghosts. Often accompanied by their own men and women with devices, inspired mostly by time and ancient form of a totally modern, becoming elements of our age and of his fantasies are sextants, watches rings and gears, chains, astrolabes that make it even more fascinating, but at the same time more mysterious, his compositions.
Angels and demons, spiritual aspirations and constraints of the flesh, purity and impurity are some of the recurring themes in the work of Roberto Ferri: like leitmotivs that create a game, most often quite subtle and very cerebral, nothing banal or predictable, based on a technique of painting to the highest level. "It's definitely the most technically capable student I ever met," he says Gaetano Castelli, former President of the Academy of Fine Arts in Rome and one of the most famous Italian designers. One may truly say it is a "painter by vocation": he never forgets a precept of Goethe, that 'art, good enough is good. " His is a hymn to the true absolute painting: a review, very thoughtful and introspective, some of the greatest masters of classicism.
The women and men of Robert Ferro, a thirty-year-old artist from Taranto who Already has made a name for Himself even on the international art scene, With Their slender bodies, perfect muscles and intriguing poses are inspired by the greatest Italian masters, from Caravaggio to Michelangelo and Guercino, all of whom Ferri studied closely. But there is more: his paintings translate into images the dreams or (perhaps) the nightmares of each of us; all we have inside, all we feel, beyond the senses, in a way that is more or less conscious, verbalised or can be verbalised. Roberto Ferri gives life, substance and form (a rather beautiful form) to his and our phantasms. Oftentimes, he accompanies his own men and women with devices, inspired mainly by time and ancient in form though totally modern, becoming elements of our age and of his fantasies. They consist in sextants, crowns and clock gears, chains, astrolabes that render even more fascinating, but at the same time more mysterious, his compositions.
Angels and demons, spiritual aspirations and the bonds of the flesh, purity and lasciviousness are some of the recurrent themes in Roberto Ferri’s oeuvre: like leitmotivs that create a game, most of the time quite subtle and very cerebral, in no way banal or predictable, based upon a technique of painting taken to the highest level. “[Ferri] is unquestionably the student with the greatest technical skill that I’ve ever met,” says Gaetano Castelli, former President of the Academy of Fine Arts of Rome and one of the most celebrated Italian stage designers. One may say that Ferris truly is a ‘painter with a calling’: he has never forgotten a precept of Goethe, according to whom “in art, good enough is excellent”. His is an absolute hymn to painting: a reconsideration, and meditated quite introspective, of Some of the greats of classicism.
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BIOGRAPHY
Roberto Ferri was born in Taranto in 1978.
In 1996, he graduated from the Liceo Artistico Lisippo "Taranto.
began to study painting on her own and moved to Rome in 1999, to increase research on ancient painting, beginning at the end of the sixteenth century, in particular, he devoted himself to painting Caravaggio and the academic (David, Ingres, Girodet , Géricault, Gleyre, Bouguereau, etc.).
In 2006, he graduated with honors with 110 Academy of Fine Arts in Rome, during setting, for three years he studied with Gaetano Castelli Francesco Zito last year.
o In 2002, the first show: the collective animals and, at the gallery "Labyrinth" in Rome.
o In 2003, the first solo exhibition at Centre of Contemporary Art "Luigi Montanarini" in Genzano di Roma, entitled Roberto Ferri and the dream of Parnassus.
or The exhibition then moves to the gallery "Labyrinth" in Rome, curated by critic and art historian Robertomaria Siena.
or in 2003, another show: Angels, Demons, Miracles and the Archons, the gallery "Labyrinth" in Rome.
or in the same year he exhibited at the Banca Nazionale del Lavoro of Rome, and participate in the Telethon campaign.
or the "Journal" Italian night "The Exterminating Angel of the drawing to illustrate a story of the critic and art historian Roberto Maria Siena.
or
In July 2003, Sora, won the Second Prize for Stage Design "Antonio Valente," and produces another show.
or enrolling in the first edition of the "Notte Bianca" in Rome, exhibiting his works at the Accademia di Belle Arti
o In 2004, again at the Gallery "The Labyrinth" in Rome, another solo exhibition, curated by Robertomaria Siena Roberto Ferri and called the Light of the body.
or in the same year, in Rome, participating in the second edition of the "Notte Bianca" exposing the Academy of Fine Arts later participation in the Telethon campaign, with his paintings on display at the headquarters in Via del Corso of BNL, Banca Nazionale of Labor.
or
In December 2005, the Gallery's Art in Rome Logu opens its first exhibition of drawings.
or
In June 2006, inaugurated an Exhibition at the Gallery "Il Cortile" in Rome, in the Sow.
or participates in the event "Arteinterrazza", Academy of Fine Arts in Rome and at the Art School of Ripetta, with a debate on the fees of his painting.
or in the same year, participates in the VII edition of "Immaginarteinfiera" in Reggio Emilia.
or Take painting for the beatification of the Genoese patrician Ettore Vernazza, now the Convent of the Daughters of St. Joseph, in Genoa.
or His painting The ferry is published in the book "Untimely fury", he has authored Robertomaria Siena.
or an exhibition of drawings made in the United States, San Antonio, Texas, from Anarte Gallery, and some works are on display in Florence, Palazzo Vecchio, the presentation of the "Tuscany Festival" or
Also in 2006, Gallery at Victoria Street Margutta in Rome to take part exhibition "Homage to Luigi Montanarini"
o In 2007, he exhibited in Viterbo, in the Palazzo dei Priori, in the Tuscia Opera Festival and a solo exhibition of drawings curated by Gallery Rdf Robertomaria Siena to Rome.
or in New York, participates in the exhibition "Flesh and Passion," the Cfm Gallery and the Duomo of Montepulciano, near Siena, he made painting of St. John the Beheaded.
or the Galleria Vittorio Margutta street in Rome, participating in the exhibition "In the longer entries, of which he is curator once Robertomaria Siena.
or His works are in important private collections in Rome, Milan, London, Paris, New York, Madrid, Barcelona, \u200b\u200bMiami, San Antonio (Texas), Qatar, Dublin, Boston, Malta, and the Castle of Menerbes in Provence. 
Roberto Ferri was born in Taranto in 1978.
In 1996, he graduated from the Liceo Artistico Lisippo "Taranto.
began to study painting on her own and moved to Rome in 1999, to increase research on ancient painting, beginning at the end of the sixteenth century, in particular, he devoted himself to painting Caravaggio and the academic (David, Ingres, Girodet , Géricault, Gleyre, Bouguereau, etc.).
In 2006, he graduated with honors with 110 Academy of Fine Arts in Rome, during setting, for three years he studied with Gaetano Castelli Francesco Zito last year.
o In 2002, the first show: the collective animals and, at the gallery "Labyrinth" in Rome.
o In 2003, the first solo exhibition at Centre of Contemporary Art "Luigi Montanarini" in Genzano di Roma, entitled Roberto Ferri and the dream of Parnassus.
or The exhibition then moves to the gallery "Labyrinth" in Rome, curated by critic and art historian Robertomaria Siena.
or in 2003, another show: Angels, Demons, Miracles and the Archons, the gallery "Labyrinth" in Rome.
or in the same year he exhibited at the Banca Nazionale del Lavoro of Rome, and participate in the Telethon campaign.
or the "Journal" Italian night "The Exterminating Angel of the drawing to illustrate a story of the critic and art historian Roberto Maria Siena.
or
In July 2003, Sora, won the Second Prize for Stage Design "Antonio Valente," and produces another show.
or enrolling in the first edition of the "Notte Bianca" in Rome, exhibiting his works at the Accademia di Belle Arti
o In 2004, again at the Gallery "The Labyrinth" in Rome, another solo exhibition, curated by Robertomaria Siena Roberto Ferri and called the Light of the body.
or in the same year, in Rome, participating in the second edition of the "Notte Bianca" exposing the Academy of Fine Arts later participation in the Telethon campaign, with his paintings on display at the headquarters in Via del Corso of BNL, Banca Nazionale of Labor.
or
In December 2005, the Gallery's Art in Rome Logu opens its first exhibition of drawings.
or
In June 2006, inaugurated an Exhibition at the Gallery "Il Cortile" in Rome, in the Sow.
or participates in the event "Arteinterrazza", Academy of Fine Arts in Rome and at the Art School of Ripetta, with a debate on the fees of his painting.
or in the same year, participates in the VII edition of "Immaginarteinfiera" in Reggio Emilia.
or Take painting for the beatification of the Genoese patrician Ettore Vernazza, now the Convent of the Daughters of St. Joseph, in Genoa.
or His painting The ferry is published in the book "Untimely fury", he has authored Robertomaria Siena.
or an exhibition of drawings made in the United States, San Antonio, Texas, from Anarte Gallery, and some works are on display in Florence, Palazzo Vecchio, the presentation of the "Tuscany Festival" or
Also in 2006, Gallery at Victoria Street Margutta in Rome to take part exhibition "Homage to Luigi Montanarini"
o In 2007, he exhibited in Viterbo, in the Palazzo dei Priori, in the Tuscia Opera Festival and a solo exhibition of drawings curated by Gallery Rdf Robertomaria Siena to Rome.
or in New York, participates in the exhibition "Flesh and Passion," the Cfm Gallery and the Duomo of Montepulciano, near Siena, he made painting of St. John the Beheaded.
or the Galleria Vittorio Margutta street in Rome, participating in the exhibition "In the longer entries, of which he is curator once Robertomaria Siena.
or His works are in important private collections in Rome, Milan, London, Paris, New York, Madrid, Barcelona, \u200b\u200bMiami, San Antonio (Texas), Qatar, Dublin, Boston, Malta, and the Castle of Menerbes in Provence.
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