Og Mudbone Life Story

CONCEPT: "CITIES 'BUILT IN CIVILIZATION' INTEGRATED '

... "The individual is ready to live in an" integrated city "? The man is actually willing to integrate it without losing their identity? "

After reading the book" Introduction to Computer Revolution in Architecture "by Prof. Wise, I pose questions to" major scale ", no longer to a size such as how an individual could change my "world", my life, after taking note of this new era, but on how I should have relations with the rest of the world, as the barriers between individuals will always be lighter. In the city, in the life of every day I became account that "differences" with others may be several (live Esquiline district, characterized by multirazialità) and the fact of not being able to communicate or do not want to do, because you do not know what's scary. The first years of college, very naive to think that a planner or an architect could solve the social problems of the city, simply take knowledge and implementing strategies to overcome them (wishful thinking). After opening his eyes, I knew of his real possibility of his humanity and not his omnipotence. With the awareness of the advent of the "information revolution" began to think: architect Armed with this new technology can not replace the Divine, but can do much more to improve this city.
My concept is moving in this direction, or propose to investigate the issue of integration of the city in reference to the social fabric. Giving new identity to forget parts of the territory or "margin", speaking with impact structures, they become aggregation points, interchange, with the use of new technologies.

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Response to" moon mechanics "

Echoing the words of Prof. Wise: The Guggenheim Museum is an architecture that descends from the pedestal (like almost all the works by Gehry) to deal directly with the urban space; context increasingly consolidated and unhinge, such as happens in Prague, where the theme becomes the pretext for a corner to upset the system block / block, but also the chaos of what defines cheapscape Gehry. The landscape of poor, degraded, isolated, marginal, where no one wants to go, it is precisely here that we find the resources to build a real work only. The most shining example is precisely the museum in Bilbao, which is in perfect harmony with its surroundings, is continuous with the space. Boccioni's work has in it the inspiration of this new conception of architecture, sculpture, new energy that eradicates the building of the smallest canonical to project into that of pure energy. Gehry's work, like that of Boccioni, is pervaded by a power which knows no previous. The masses, which move and coming to shape even the surrounding space, are alive are slim or muscle contracts in an effort racing, bumps are organic refuse the Newtonian laws of the land, are natural elements that stretch towards the divine. The light does not precipitate on the surface for refraction, but slides over them, justifying their essence as velvet deployed by the wind.
From all this justifies the role of this museum as a cathedral of modern culture, but also the presence of the tower that deserves to exist as much as the Giotto's bell tower in Florence. These are not fundamental to the reporting and identification of a goal, the tower of Bilbao is the flag stuck in the desolate landscape that runs along the river banks to declare the conquest of this moon mechanics.
who is convinced that the Guggenheim is only the form remains disappointed at the first visit: it is a machine working perfectly, almost sentient, because it determines the precise relationship between the container and the contained function, but also between the latter and the outer space which is measured as as the internal one. The appearance is disconcerting is that even as machine or object-technology industry, has voluntarily refused the serialization process imposed on industrial products.
Nevertheless there is still a clarification to be done: the roots of the conformation space dynamics are older than the period during which it operated Futurist Boccioni. They are to be found in the work of one of the greatest architects of Italian history, or Francesco Castelli, better known as Borromini. He laid the foundation for fundamental and useful modern developments which we see today. His major works are pervaded by a sense of continuity, energy and movement so that the eye observer does not find references on which to dwell, but insatiably wheel on all surfaces. Forms determined by Borromini model space is internal and external, have the power to explode or implode in exchange for a rhythm that can be read on several levels: for example, is what happens to St. Ives. The momentum, energy, power, dynamism, speed, all concepts are based on this key figure of 600. After four centuries, the Guggenheim Museum in Bilbao, the explosion of baroque concepts condensed over the years and so well expressed by the sculptures of Boccioni. This courage is the result of a wise use of Information Technology, not the common way to draw, but a simulacrum of new foundations for modern architecture.

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Response to" the way of symbols "

Professionalism is the highest praise recognition of 'attribution of his work as a symbol.
for a designer in an architecture able to transfer the symbol of a nation as in the case of Utzon in Sydney is definitely the best omen. From the article
The way of the symbols of Professor Antonino Saggio
shows a strong positivity in observing and commenting that the architecture completed in recent years from top to Gehry in Bilbao and Amsterdam are on the trail of Utzon.
The monumentality of these buildings is evident as well as their location studied, such as the Guggenaim of Bilbao, in connection with the river and in a strategic position as a fulcrum for the revaluation of a disused area of \u200b\u200bthe city.
Many architects in fulfilling its tasks in the designers can see their work recognized by the symbol of the community.
addition to the general intuition of the designer for an architecture is recognized as a symbol must be a process of acceptance by the city and its inhabitants.
I naturally think about what a work of architecture is crucial to communicate and become recognizable landmark.

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" HyperArchitectura - space age electronics "


Review of book by Prestinenza Puglisi, Text & Image, 1998

The title effectively identifies the topic in question and the sentence preceding the start is to understand how the author intends to address it. An analytical and constructive.

"My interest is in the future because i am going to spend the rest of my life there."
(Charles F. Kettering)

The book is divided according to characteristics of the 'HyperArchitectura "that are refuted by the author by subjecting analyzes some of the projects implemented by various architects and some of their theories.

In 1971 already feels the air of a new era, have foreshadowed the concepts of sensory and multimedia in the Centre Pompidou, ZKM predominates in the immaterial, the objects dematerialized and replaces the contents of the container. In 1992, in reference to University Library in Paris, Ito says, "my, is the antithesis of monumental architecture, buildings that will live for eternity," he often works on image devoid of all meaning, one that has reached the stage directions but has not yet been formalized in intellect and in which space is no longer as the vacuum in which dwell the solids, but as the medium through which to spread the information. The new architecture is the art of the age of electronics, ie computer and information technology. The electronics is characterized by three key words: projection, mutation, simulation. Eisenman
complaint House IV in preference to cold homes, indifferent to the functions, in his architecture, just like a work of conceptual art, to produce strange. Wittgenstein sees the house as "a temple housing the passions, without interfering with them", a guest house that's life, but it has nothing to do with it.
The concept of mutation is then delved into several parts: the transformation, the atomization, the logicizzazione, metaphorization.
objects loose their materiality and become information. The form can condemn the building loses strength. The case becomes increasingly irrelevant, while weight gain performance, systems rilavemento, bioclimatic controls, technical devices. McLuhan says, "building the nervous system is getting the upper hand over and muscles."
The new architecture arises with nature in a ratio of more diversity, but of integration.
The building technologically advanced lives of contacts with the outside, it works like a skin, nervous system, a membrane, and the traditional find its balance in as little as possible with the environment.

In the end, the reader, as the author, (with a little 'of headaches) will be in a whirlwind of questions, which concern the future. The computer with its potential, has opened new scenarios in front of us and we have to choose whether to be a protagonist or a mere spectator.



"Centre Pompidou in Paris"




"ZKM"





"UNIVERSITY LIBRARY IN PARIS"





"EISENMAN - HOUSE IV "





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PORTRAIT

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comment on the book" Introduction to IT revolution in architecture, "prof. Antonino Saggio


The text is intended for an attentive reader to the issue of information in relation to the architecture, will not not easily understood by "insiders".
The book starts from the realization of a revolution that is taking place, which covers many fundamental aspects of human life ... the "information revolution". Specifically analyzes the evolution of architecture in this new era, studying for classes at different scales and leads to reflect on what will be its future.
Many were the starting points for personal reflection, which then became subjects of comparison with other colleagues, such as computers from one machine to the individual size, become an instrument to interact with others, has built homes and sometimes even became a "confidant", a "relative". (Some relate more easily with a PC and with other people).
It changed the way the first act and then think, space, time, communication and human life.
Of all the chapters, what has given me more interest is that of the "City", because it summarizes all the topics covered and it is the manifestation in reality.
This chapter reflects on the role of information in the new phase of research in architecture and urban planning. I find it very effective method with which it dealt with the issue, as is identification of a tension on the change and that gives rise to the crisis. Fundamental analysis is the opposition "in-between vs in-front" when they say that information technology can create "... buildings and interactive live reagents at varying flows and incentives and desires "and that" ... the big change between the industrial age and computer [...] is at the center no longer the type, standard series, the product, the zoning, but the individuality and openness to many, the inclusion of the assumptions and theories, differentiation, and the subjectivity of desires and projects. "
Assuming that I live in a neighborhood characterized by multirazialità as the Esquiline in Rome, the questions that I pose are: the individual is ready to live in an "integrated city"? The man is actually willing to integrate it without losing its identity? If you would create fertile ground to engage those parts of society who live passively this revolution, there is a risk to mark the contrast between these urban realities?

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William Morris, 1881

"My concept of architecture encompasses the entire environment of human life, we can not escape to architecture, as long as we are part of civilization, because it represents all the changes and alterations made on the surface, with a view of human life, ARQUITECTURA "

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